Weird Review: Journals of Horror: Found Fiction, Edited by Terry M. West
Title: Journals of Horror: Found Fiction
Editor: Terry M. West
Publisher: Pleasant Storm Entertainment, Inc.
Number of Pages: 297
Format: Print (Electronic)
Rating: 3 out of 5 stars aligned
Sating that appetite for the weird while supplementing the idea of found footage, Terry M. West and Pleasant Strom Entertainment, Inc. have manifested from dark vaults, Journals of Horror: Found Fiction. 29 uncomforting tales of delusion and terror that will have you locking your doors, checking your phone settings and finding your journal so you can chronicle the onset of madness that may inevitably take hold. 29 authors who were fortunate enough to be released from their own straightjackets to pen some disturbing literature, instead of screaming their tales or spelling them out in missives with their medication. Oh, but enough with the Crypt Keeper treatment, lets open up this dark tome.
Anything from sensationalized pulp, to eloquent horror will be found while traveling through these pages. I myself found many of the stories to be entertaining, yet there were few that made me pause my reading and recollect my thoughts. Those were the best tales. There were stories that read like standard weird fiction, and some that read like submissions to Creepy Pasta. However, though these tales are works of fiction, the tales that teetered on the edge of truth were the ones that dragged me in. Some of these entries, for example; West’s “Bagged, Tagged & Buried,” Rolfe’s “Killing Jessica” and Leflar’s “Letter to Grandma,” exhibited masochistic tastes with dashes of schizophrenia and paranoia for flavor which, along with some other minor ingredients, developed a fun psychotic recipe for great found fiction. Bellow is a list of the stories and the authors behind them.
- Bagged, Tagged & Buried by Terry M. West *
- Turn Me On, Dead Man By Robin Dover
- Truant By D.S. Ullery
- The Book of Flesh and Blood By Jeff O’Brien *
- Beyond Castle Frankenstein By Paula Cappa
- Dying Scrawl by DJ Tyrer
- Girl in the Woods By Evan Purcell
- Going Home By Michael McGlade
- Hamburger Lady By Darryl Dawson
- Hole By Joseph Ramshaw
- Human Resources By Todd Keisling
- In the Woods, We Wait By Matt Hayward
- “Killing Jessica” By Glenn Rolfe *
- Letter to Grandma By Crystal Leflar *
- Look Up By Michael Seese
- Lucca By John Ledger
- Night Terrors: Journal By Michael Thomas-Knight
- Finders Keepers By Paul D. Marks
- The Anniversary By Sonja Thomas
- The Breath Within The Darkness By Essel Pratt
- The Devil’s Irony By Lori R. Lopez
- The Note By P. D. Cacek
- The Seahorse Speaks By Erik Gustafson
- Vermilion A Traveler’s Account By Stuart Keane
- Whispers on the Wind By Robert McGough
- There’s something in my house By Wesley Thomas
- Tweets of Terror By Robert Holt
- Self-Consumed By Terry M. West & Regina West *
- Note-To-Self By Christopher Alan Broadstone
Now, not having read much “found fiction,” I began to wonder if this is/would/could be a new genre of fiction. Yet after a second thought, and reading, I believe that found fiction is more likely a subgenre rather than a leading criteria for any fiction. After all, some of the best stories in history are technically “found fiction.” Brom Stoker’s
Though TCoC isn’t an epistolary formed story like Dracula or Frankenstein, by simply stating that the documents were found and are reviewed (within the story) simply opens the door for use of the term found fiction. Yet the reason I claim that found fiction would be best suited as a sub genre, is due to the fact that the three classics I mentioned are primarily categorized as horror fiction, or even in the case of H.P.’s story, weird fiction. Any genre can contain the elements of found fiction, though they may not be as potent as a horror setting, they are out there.
It took me longer than I originally expected to get through this book, as I am sure it took longer than Mr. West anticipated for me to complete the reading and an honest review in exchange for some pretty thought provoking and unsettling fiction. In that regard I ranked this collection a 3 out of 5 stars. The book could have been condensed to 20 tales and maintained a stronger consistency of quality, and a more digestible overall length of the book. As you may see above I marked, with a *, certain stories as favorites or plots that when looking back stick out the most in my mind. I have more selections from Terry M. West’s library of publications; such as, The Giving of Things Cold & Cursed: A Baker Johnson Tale
Weirdlings who’ve enjoyed Journals of Horror: Found Fiction
If you have checked out Halloween Tales
Weird Reveiw: Hearald: Lovecraft & Tesla
Title: Herald: Lovecraft & Tesla #1
Created by: John Reilly
Publisher: Action Lab Comics
Format: Digital
Rating: 4 out of 5 stars aligned
Back in 2012 the popular site io9 had a post with a very appealing picture that was their call to arms to create a Lovecraft/Tesla team-up comic for all of us to love. It looked sort of like this:
The image sparked all sorts of wants and protests for someone to establish a decent storyline where these two obscure characters in our history could investigate and dispatch the paranormal/occult. And thank the gods those wants and protests were heard and have been answered with John Reilly’s Herald: Lovecraft & Tesla.
This alternate history series there are a lot of things that didn’t jibe with me. That is until I came to terms that this comic series is an extreme alternate history twist from what I am used to. This was particularly difficult due to the fact that I consider myself a very (very very very) amateur Lovecraftian scholar, so when the years/time didn’t match up, and he was living with his mother still threw me off. However the sheer cleverness of this opening issue has compelled me to become a fan.
In this world Tesla is engaged to the very brave and prideful Amelia Earhart. When the future Mrs. Tesla takes off on her famous flight, Nikola becomes fearful of the equipment his darling is using make history. After seeking advice from his close friend, Einstein, Tesla heads to the home of famous alternate dimension aficionado, H.P. Lovecraft.
Though there isn’t a lot of action in this first issue, the creators of this comic have done an excellent creating this alternate world and its characters that are so familiar that one can’t help but cross the threshold of our current knowing of these two figures and believe in something a little more fascinating than reality. Along the way you will see other historical figures, such as: Harry Houdini, Albert Einstein, Amelia Earhart and of course H.P. Lovecraft. I can’t wait to see who else we will see…
From what I understand the second issue is to be released digitally on Comixology today, November 5th, so while your there checking out the first issue, be sure to just add that one to your cart to. You will not be disappointed. For all updates on this project and new issues check the status on their Facebook Page, or on their Twitter account @heraldcomic. Print editions should be out sometime, maybe next year, I am not entirely sure on that. But until then please indulge your minds in the Herald: Lovecraft & Tesla. BUY IT NOW!
If you have checked out Herald: Lovecraft & Tesla
Weird Review: Halloween Tales, Edited by Kate Jones
Title: Halloween Tales
Editor: Kate Jones
Publisher: Omnium Gatherum
Number of Pages: 230
Format: Print (Paperback)
Rating: 2 ½ out of 5 stars aligned
Some of the best pens of the Los Angeles chapter of the Horror Writers Association have been conjured by Omnium Gatherum to summon tales of fear and fancy for this Halloween season. 19 tales from literary horror veterans and newbies to the genre that together make a wonderful coffee table read for the season. As you can see by my rating I wasn’t too impressed with the contents of this book, however there are few pieces of sweet fiction in this candy sack that outshine the other sour suckers and kept me going through the collection in hopes of finding other good pieces at the bottom of the bag.
- Lisa Morton – The Devil Came to Mamie’s on Hallowe’en *
- Michael Paul Gonzalez – Worth the Having
- Hal Bodner – Donuts
- Terry M. West – The Hairy Ones *
- Janet Joyce Holden – The Deal
- John Palisan0 – Outlaws of Hill County
- David Winnick – The Cross I Bear *
- Kate Jonez – By the Book
- R. B. Payne – Ankou, King of the Dead
- Steven W. Booth – The Lurker *
- Maria Alexander – Harvest of Flames
- Eric Miller – The Patch
- E.S. Magill – Beneath It All
- Tim Chizmar – Farkleberry Forest Cemetery
- Robin Wyatt Dunn – Halloween in East Hampton
- R.B. Payne – Hollywood Ending
- P.S. Gifford – Johnny Jackson’s School Dare
- Xach Fromson – The Old Magic
- Nancy Holder – Dead Devil in the Freezer
Unfortunately there weren’t many of these stories that left me chilled or stunned. If not for stories like Terry M. West’s “The Hairy Ones“, and bits and pieces of Steven W. Booth’s “The Lurker” I would not have felt those feelings at all. However I must give full credit and appreciation to Lisa Morton’s “The Devil Came to Mamie’s on Hallowe’en” and David Winnick’s “The Cross I Bear. ” Those two tales were two amongst a few that were narrated or seen through the eyes of a child or early teen, and I found those stories to be the most interesting. The innocence in Mr. Winnick’s story really left me in aw, though some have said it was funny, to me it was honest and dark.
Though it’s not a book I would recommend to everyone, I would say it is a nice piece in a collection of stories to have on hand for this time of year. Al 19 tales are easily digestible, and short enough to read in one sitting. True, some are better than others, but that is how a well built anthology is, unfortunately I wish the stories were a little bit more balanced. By that I mean I felt all the greats were in the front of the book and not so much in the middle or tail end. Either way it was good to dive into some suitable fiction for the month and season and am glad to have been introduced to a few of these authors fiction. I will be keeping an eye out for them.
Weirdlings who’ve enjoyed Halloween Tales
If you have checked out Halloween Tales
Weird Review: Cthulhu Lives! An Eldritch Tribute to H.P. Lovecraft Edited by Solomè Jones
Title: Cthulhu Lives!: An Eldritch Tribute to H.P. Lovecraft
Editor: Salomè Jones
Publisher: Ghostwoods Books
Number of Pages: 272
Format: Print (Paperback)
Rating: 3 out of 5 stars aligned
At the time of his death in 1937, American horror writer H.P. Lovecraft was virtually unknown. The power of his stories was too great to contain, however. As the decades slipped by, his dark visions laid down roots in the collective imagination of mankind, and they grew strong. Now Cthulhu is a name known to many and, deep under the seas, Lovecraft’s greatest creation becomes restless…
This volume brings together seventeen masterful tales of cosmic horror inspired by Lovecraft’s work. In his fiction, humanity is a tiny, accidental drop of light and life in the endless darkness of an uncaring universe – a darkness populated by vast, utterly alien horrors. Our continued survival relies upon our utter obscurity, something that every fresh scientific wonder threatens to shatter.
The dazzling stories in Cthulhu Lives! show the disastrous folly of our arrogance. We think ourselves the first masters of Earth, and the greatest, and we are very badly mistaken on both counts. Inside these covers, you’ll find a lovingly-curated collection of terrors and nightmares, of catastrophic encounters to wither the body and blight the soul. We humans are inquisitive beings, and there are far worse rewards for curiosity than mere death.
The truth is indeed out there – and it hungers.
Cthulhu Lives!
17 very unique tales are what make up this collection. Some better than others, and others way better than some, the satisfying content this book has to offer is evenly distributed throughout. None of the tales are too long, the longest being 18 or so pages, allowing for easy digestible reads.
- Universal Constants by Piers Beckley
- 1884 by Michael Grey
- Elmwood by Tim Dedopulos
- Hobstone by G.K. Lomax *
- On the Banks of the River Jordan by John Reppion *
- Dark Watters by Adam Vidler
- Ink by Iain Lowson
- Demon in Glass by E. Dane Anderson
- Scales from Balor’s Eye by Helmer Gorman
- Of the Faceless Crowd by Gabor Csigás
- Scritch, Scratch by Lynne Hardy *
- Icke by Greg Stolze *
- Coding Time by Marc Reichardt
- The Thing in the Printer by Peter Tupper
- The Old Ones by Jeremy Clymer
- Visiting Rights by Joff Brown
- The Highland Air by Gethin A. Lynes
There are a few authors in this collection, one of them G.K. Lomax, who are emerging authors into both the writing scene and the Lovecraftian scene. Upon my initial inspection of the cast of writers I was expected to read, I was a little weary of the unfamiliar names. However, I was incorrect in my judgment of quality these stories possessed. Not being able to choose only three favorites, I settled on four that I believe were the most memorable and entertaining. Hobstone by G.K. Lomax, On the Banks of the River Jordan by John Reppion, Scritch, Scratch by Lynne Hardy and Icke by Greg Stolze. All four of these tales possessed an essence that I believe to be truly Lovecraftian. It was the vague suggestion at a grander menace, or entity with out necessarily giving it a name or advertently connecting it to the Cthulhu Mythos. It was stories like these that convinced me that this book should have been titled Lovecraft Lives! Simply because of the true theme of cosmic horror and fear of the unknown that Mr. Lovecraft is so aptly known for expanding if not creating.
Unfortunately though, there were just one to many stories that left me with nothing. Either ending so abruptly that it borderline made the story incomplete, or just the shear lack of engaging writing to keep me hooked through out the story. These stories made reading feel like work. All in all it was a pleasant and enjoyable book, wrapping up with a sincere afterword from resident H.P.L. scholar, S.T. Joshi. I would recommend this book to those who are looking for some new ideas and easy reads revolving around the Cthulhu Mythos. I hope to see some of these authors again, and also hope to see more publications from Ghostwoods Books that resemble this style and format.
Weirdlings who’ve enjoyed Cthulhu Lives!: An Eldritch Tribute to H.P. Lovecraft
If you have checked out Cthulhu Lives!: An Eldritch Tribute to H.P. Lovecraft
Weird Review: NOS4A2 by, Joe Hill
Title: NOS4A2
Author: Joe Hill
Publisher: William Morrow (An Imprint of HarperCollins Publishers) 2013
Number of Pages: 704
Format: Print (Hardcover)
Rating: 5 out of 5 stars aligned
COME TO CHRISTMASLAND
What would you do for a lifetime pass to a place where every morning is Christmas and unhappiness is against the law?
Don’t give up on wonder! Don’t give up on dreams!
We’re looking for go-getters who love children and aren’t afraid of adventure!
“NOS4A2 is a fast-paced, wind through your hair, stomach-flipping roller-coaster ride that will make you white-knuckle the binding and refuse to let go. We follow Victoria McQueen, a Brat (as her father lovingly calls her) with enough snotty attitude to earn the name. However, Vic has a quality that will make you fall in love with her: imagination. Through the power of her mind and her Raleigh Tuff Burner bicycle, she is able to dream up ‘bridges’ that allow her to find things. Whether it be a family heirloom, a photograph, or just looking for trouble, Vic is able to find it with the help of her Shorter Way Bridge – a long-destroyed covered bridge that fell into the water. Unfortunately it is this same bridge, and Vic’s adolescent rebellion, that inevitably send her to Charles Talent Manx.”
That is an excerpt from my review of NOS4A2
Hill utilizes an excellent tool within this horror/fantasy and that is the use of a portal. Both Manx, and Vic find there way through Hill’s “inscape’s” that he has mentioned in his other great novel, Horns. Through these inscapes, Vic, with the help of her Shorter Way Bridge, finds Maggie, a junkie who loves scrabble. She helps explain to Vic how her bike and bridge are part of these inscapes; “Big old hole in reality… I am reaching into my inscape to get the tiles I need. Not into a bag. when I say your bike or my tiles are a knife to open a s-s-slit in reality, I’m not being like, metaphorical.”
These inscapes are an excellent adaptation to the use of the portal tool. Hill has begun to create and expand a new universe that I wish I could join. Whether it be ‘The Treehouse of the Mind,” the Crooked Alley, a sack of scrabble tiles, or a bike, these “knives,” as Maggie calls them, are used to poke a hole in reality allowing the user to manipulate or alter it to there choosing. This opens up so many opportunities for Hill’s characters, and increases anticipation and cravings to see him continue to play around in this realm of thought.
This is a novel that every reader, casual or avid, horror fan or not, should have on their book shelf!
Check out the whole review HERE!
Weirdlings who’ve enjoyed NOS4A2 have also checked out:
If you have checked out NOS4A2
Weird Review: The Case of Charles Dexter Ward By H.P. Lovecraft and I.N.J. Culbard
Title: The Case of Charles Dexter Ward
Author: H.P. Lovecraft
Adapted By: I.N.J. Culbard
Publisher: SelfMadeHero
Number of Pages: 128
Format: Print (Paperback)
Rating: 3.5 out of 5 stars aligned
“I say to you again…”
Providenc Rhode Island, 1928. A dangerous inmate disappears from a privat hospital for the insane, his method of escape baffling the authorities. Only the patient’s final visitor, family phusician D. Marinus Bicknell Willet – himself a piece of the puzzle – holds the key to unlocking The Case of Charles Dexter Ward. A macabre mixture of historical investigation grave-robbing and bone-chilling revelation, this adaptaion artfully lays bare on of H.P. Lovecraft’s most horrifying creations.
“…do not call up any that you can not put down.”
“I.N.J Culbard’s illustrations of Lovecraft’s emotions are amazing and enrapture the reader into a world of questionable identities and the insecurities we all encounter. They are emotions that Lovecraft reserved for himself and, I believe, is the reason he initially withheld the tale in fear of disclosing his own sense of not-belonging during the time of his life.“
That is an excerpt from my review of The Case of Charles Dexter Ward
Check out the whole review HERE!
Weirdlings who’ve enjoyed The Case of Charles Dexter Ward, or I.N.J. Culbard’s stuff, have also checked out:
If you have checked out The Case of Charles Dexter Ward
Weird Review: John Dies at the End by David Wong
Title: John Dies at the End
Author: David Wong
Publisher: St. Martin’s Press
Number of Pages: 469
Format: Print (Paperback)
Rating: 4 out of 5 stars aligned
STOP.
- You should not have touched this book with your bare hands.
- No, don’t put it down. It’s too late.
- They’re watching you.
THE IMPORTANT THING IS THIS:
- The drug is called soy sauce, and it gives users a window into another dimension.
- John and I never had the chance to say no.
- YOU STILL DO.
“If H.P. Lovecraft and Hunter S. Thompson sat down, tolerated each other, got drunk and composed a novel, this book would be the result. David Wong’s John Dies at the End is a witty, comedic horror novel that uncovers the world behind the curtain we call reality, and shines light unto an otherwise known darkness that encapsulates our world, possibly the universe, as we know it.”
That is an excerpt from my review of John Dies at the End
Check out the whole review HERE!
Weirdlings who’ve enjoyed John Dies at the End have also checked out:
If you have checked out John Dies at the End
Weird Review: Transreality by Chris Lackey
Title: Transreality
Author: Chris Lackey
Publisher: Witch House Media UK
Number of Pages: 128
Format: Print (Paperback)
Rating: 4 Out of 5 Stars Aligned
WHAT MAKES YOU HUMAN? YOUR BODY? YOUR MIND? YOUR RELATIONSHIPS?
IMAGINE A UNIVERSE WHERE ALL OF THESE ARE PROGRAMMABLE. THE LIMITS OF YOUR CURRENT BODY NO LONGER APPLY. YOU ARE DIGITAL AND IMMORTAL.
James Watson is suffering from a delusional disorder known as capgras, or so he’s been told. Nothing seems to feel entirely real since the accident. His wife, his kids, his friends, all feel disconnected from what he once remembers, like no one is who they seem. Feeling misunderstood, James finds help with a local psychiatrist who specializes in capgras delusions. Hoping to find his place again in the ‘real’ world, he agrees to meet with other sufferers to talk, and learn from one another. However not all of the capgras sufferers believe what they’ve been told. After hearing them out James encounters a strange man with a strange purpose. Suddenly a door has been opened to James possibly revealing the answers he is looking for. Will he be able to cope with the truth? Or more importantly, will he be able to live in a Transreality?
Chris Lackey has come out of the gate in full force in this, his first solely written and illustrated graphic novel. Captivating illustrations, varnished with vibrant colors and detailed cel-shading, bring each panel together along with dynamic writing to tie together both the emotion and expression of each fantastic character. Though the story is, at times, derivative of other plot lines like The Matrix
I am a complete stranger when it comes to the concept of trans-humanism, which is the belief or theory that humans will evolve beyond its current physical and mental limitations by means of technology. I have heard small talk about the singularity and mind-melds with computers, and frankly it kind of freaks me out. Though immortality and information at the request of a thought sound pretty cool, to me, there seems to be nothing human about being downloaded and coded into a digital world. I think that is one of the themes of this story. How does one maintain a sense of humanity in a world were humans aren’t the only ones in charge. There are many levels to Transreality ‘branching’ off too; what defines humanity? How does one maintain that sense while being practically detached from a physical body? Who’s behind RainBird Industries? Who is behind the control panel, so to speak, that keeps all the simulations and digital consciences in check? All are great things to think about and to hope Lackey someday expands on in either a series of comics, or more Transreality world based graphic novels.
This is a story that anyone can enjoy whether or not science fiction is your genre of choice. I myself am more attracted to horror/fantasies but this has switched on a new found interest in trans-humanism Sci-Fi. I was able to read it in one sitting, which isn’t always easy due to time or general interest in the story, and was able to follow the storyline easily. Stay up to date at the official Transreality site to find out when and where you will be able to pick up your copy. As of right now, publication in the U.S. is due out in March. Keep your scanners on and ready to locate and digest this fabulous work.
Weird Review: The Lovecraft Anthology: Volume 2 Edited By Dan Lockwood
Title: The Lovecraft Anthology: Volume 2
Editor: Dan Lockwood
Publisher: Self Made Hero
Number of Pages: 128
Format: Print(Paperback)
Rating: 4.75 Out of 5 Stars Aligned
“That is not dead which can eternal lie…” Out of the uncharted places of the world and the prodigious imagination of Howard Phillips Lovecraft, renowned master of the eerie, come nine nightmarish tales of terror. From the dreaded remnants of long-dead civilisations to unhallowed monstrosities scheming in the darkness, Lovecraft’s stories have never lost their power to astound and unsettle. This graphic anthology breathes new life into classic works of weird fiction. “…and with strange aeons even death may die.”
Self Made Hero has done it again. like its predecessor, The Lovecraft Anthology: Volume 1, Dan Lockwood has ushered into this realm a beautifully illustrated hoard of horror. I am of coarse talking about The Lovecraft Anthology: Volume 2, incase you didn’t realize already.
Looking back on my review for The Lovecraft Anthology: Volume 1, I have reflected on some of my comments. To this day, I still visit the pages of volume 1, and have to disagree with some of those late comments. Though I still believe the illustrated panels are what make up an efficient comic/graphic novel, it is the words we rely on when our eyes get ahead of us and we need to read whats happening to interpret the image. After all, we’re readers not viewers of these works. That said, most of these works are illustrated so brilliantly that my eyes hardly touched a word. I am very familiar with Lovecraft’s work, and know a few of his tales like old songs. So for a lot of these addaptations I was fortunate enough to know what was happening and only needed the images to carry me through.
In the tradition of how I formatted the review for Volume 1, I have listed each adaptation and have a small something to say about each.
Pickman’s Model, adapted by Jamie Delano, illustrated by Steve Pugh, Staging by Jon Haward: Right out the gate Dan Lockwood enlists one of his best choices for this collection. Delano, Pugh, and Haward have worked magic into bringing this piece to life. Every panel, every phrase took me down into the cellar with Thurber and Pickman and had me filling in the blanks as to what damnable creations Pickman was responsible for. Great stuff!
The Temple, adapted by Chris Lackey, illustrated by Adrian Salmon: Everything about this entry is spot on. The hard shapes, thick lines, and heavy shading are appropriately placed for the era this story is set in. You can tell Lackey has a fondness for the tale and does what he can to capture the images meanings.
From Beyond, adapted by David Camus, illustrated by Nicolas Fructus: Another grandslam for this graphic collection. Great accompaniment by Camus, but anyone can tell, Nicolas Fructus gets what this story is about. Amazing fuscia/violet panels that has set my pineal gland a fire!
He, adapted by Dwight L. MacPherson, illustrated by Paul Peart Smith: I really dislike Lovecraft’s original story, however I believe MacPherson and Smith have done and excellent job with a crappy tale. The illustrations weren’t my favorite but I did enjoy the protagonist looking just like H.P.L.
The Hound, adapted by Chad Fifer, illustrated by Bryan Baugh: I feel this adaptation took on a bit of the Harley Warren/Randolph Carter archetype, St John being the dominant male figure. Baugh’s sepia skinned panels stand out from the other adaptations in this book, while Fifer adds a comedic style to the dread he portrays.
The Nameless City, adapted by Pat Mills, illustrated by Attila Futaki, Colored by Greg Guilhaumond: A clever recreation of a fundamental Lovecraft piece. The ending was unfamiliar, though it may have hinted to a possible “origins” tale of the Terrible Old Man…Maybe…
The Picture in the House, adapted by Benjamin Dickson, illustrated by Mick McMahon: To me the story is best told as a literary tale, maybe even a short film. Unfortunately the backwater dialogue is pretty hard to follow panel to panel, and McMahon’s illustrations did not captivate my attention.
The Festival, adapted by Simon Spurrier, illustrated by Matt Timson: This is my favorite adaptation in this collection. Changing up the format a little to more of a picture book quality, Spurrier and Timson have portrayed a horrifying experience that leaves the reader still wanting to visit Kingsport again and again. I only wish this was the closer in the collection.
The Statement of Randolph Carter, adapted by Dan Lockwood, illustrated by Warwick Johnson Cadwell: I don’t have much to say about this adaptation. Closing out the collection and with one of H.P. Lovecraft’s best known short works, I thought this would have been done better. Didn’t care for the illustrations, and the writing did little to keep me interested.
All in all, I would recommend this volume over the first. Both are a must if you are an H.P. Lovecraft fan, and just necessary to have to stimulate ones imagination. Again, Dan Lockwood has done an amazing job gathering these brilliant artists and writers to collaborate in creating such great work. This is what feeds the Lovcraftian community and what grows the population of new readers of the late mans legacy. As I said while closing my review for volume 1, I really hope that these volumes continue to be made. I know there are only so many short stories that one can adapt (We’ll leave the larger adaptaions to I.N.J. Culbard!) but maybe new artist can give their take on a tale and give us some new perspective. This review took me a pathetic one year to complete, and in a way I am happy it did. I read it in a white heat, immediately following The Lovecraft Anthology: Volume 1, and didn’t have the best opinions of the work. After a year of continuous viewing of volume 2 I have come to the conclusions you have already read. My thoughts on volume 1 have changed as well, however I must leave my initial thoughts on the piece as they are. Either way I hope you enjoy both volumes as I have and continue to do. Cheers.
People, who’ve enjoyed The Lovecraft Anthology: Volume 2
If you have checked out The Lovecraft Anthology: Volume 2
Weird Review: My Name is Dee by Robin Wyatt Dunn
Title: My Name is Dee
Author: Robin Wyatt Dunn
Publisher: John Ott, San Diego (August 28, 2013)
Number of Pages: 230
Format: Print (Paperback)
Rating: 2 out of 5 stars aligned
John Dee is a magician in Los Angeles. He is going Insane.
That single sentence captured my interest. It is also that sentence that begins the blurb on the back of the book. I have always found stories with mad magicians/wizards to be fairly destructive and entertaining, so I was sold, but the rest of the description is laced with plot outline and intriguing sentences such as, “…a novel for the educated reader who enjoys noir action, intrigue and dark romance, for the child in all of us who wants to go on adventures, and for the fearful adult who marvels at the terrifying scale of the universe.” With those words I felt a challenge, as if I was supposed to say, “Yes, yes I am an educated reader who, for the child in me, likes adventures and as an adult am fearful and marvels at the scale of the universe!”
I was contacted by Robin Wyatt Dunn back in March in regards to reviewing his forthcoming novel, My Name is Dee
As I began My Name is Dee, I noticed a series of breaks on the pages that jumped from scene to scene. I thought it might only last through the first few pages, like a series of flashbacks that feed the story, but it turns out that that’s how the book is formatted. Along with the jumps I found some of the character dialogue to be awkward and hard to follow at times. Time has become muddled through some rift, I think, causing the breaks. Or is everything so out of place because the main character has gone insane? I don’t know. Finding the book hard to follow lead me to reading it out loud to myself. Somehow that made things a little easier to put together, though with the constant setting and character shifts I felt like I was putting together a complex puzzle. Each new scene representing a disassociated piece of info that is intended to fit with another piece of the story, ending with all the bits falling together, if you can remember them all.
The plot itself was an interesting concept. The reveal of an opposing force, the Foo, a.k.a. aliens, and the greater reveal of Chai, the powerful presence that Dee has gotten the attention of, were nice highlights. I especially enjoyed the idea of writers being this profession that needs protecting. As I read I kept waiting for some Lovecraftian reference to the John Dee copy of the Necronomicon, as mentioned in H.P. Lovecraft’s, “The Dunwich Horror“. Unfortunately no mention of that, at least that I saw, but a small mention of Cthulhu in regards to the Children of the Corn
Overall I found reading the book to be more work than pleasure. The effort it took to stay focused on the bits and pieces needed to build the story was exhausting at times and caused me to do a lot of back tracking to previous scenes. Maybe after all I’m not the educated reader I thought I was, or I just couldn’t find the right setting to read it. Either way it just didn’t jibe with me. I cant say I recommend the book, but I urge readers to take a look at Dunn’s other works. A list of them can be found here.
Get your copy today at Amazon.
If you have checked out My Name is Dee
Weird Review: Horns By Joe Hill
Title: Horns: A Novel
Author: Joe Hill
Publisher: William Morrow Paperbacks
Number of Pages: 370
Format: Print (Paperback)
Rating: 4.5 Out of 5 Stars Aligned
When it comes to revenge, the devil is in the details.
Ignatius Perrish’s girlfriend, Merrin Williams, is dead. One year to be exact and good ol’ Ig hasn’t taken it very well. Once a prime suspect in his beautiful Merrin’s rape/murder, he has lost friends and has become the town pariah. After a night of debauchery and hell raising to commemorate his hate for the god who took his love and a wish to find her killer, Ig wakes feeling like hell and with no understanding of the night before. But what ever happened he just can’t mentally justify the sudden growth of two pointy horns that seem to be sprouting from his skull.
Horned and aching from the previous nights ramble, Ig heads out into the dark world and begins to glimpse things of an even darker nature. Any who notice Ig can’t help but to spill their darkest secrets of sin, be it lust, gluttony, greed, sloth, envy, pride, wrath, or a combination of any cardinal vice imaginable. Even when encountering his family, they tell him how much they hate him and wish he would die for killing Merrin, even though he didn’t do it. With a single touch Ig can suddenly swim in everyone’s thoughts and memories and see their inner evils, good deeds, and triumphs. Equipped with what he starts to believe is the power of the devil, hence the horns, Ig finds new purpose in life as he walks the line between good and evil, and punishes those who cross over to the wrong side. After all, “…if God hates sin and Satan punishes the sinners, aren’t they working the same side of the street?”
Horns
It may sound weird, but along with all the double entendre’s placed so delicately in the story (The Pit restaurant, deviled eggs, Terry’s show Hothouse, and the devil matches), I also felt that Horns
Something I found interesting is a close resemblance to Joe Hill’s fathers work. By the way, in case you didn’t know it, Stephen King is Joe Hill’s dad. Besides an obvious interest in the darker side of fiction, I found the flashback sections to be a touch of King’s style. Where I don’t usually like it when King utilizes this tool, though he does it effectively, I feel it is a risky move to stray away from the current plot to past experiences that don’t always come full circle and can feel like dead information in the story by the end of the story. Hill however takes the chance of stepping back from Ig’s current problem with his horns and masterfully ties up all the loose ends before the book is over.
Over all, this is one of my new found favorites. I plan on moving on to his other works in the future, and am looking forward to the live action adaptation of the book staring Daniel Radcliff. Hope Hollywood doesn’t ruin this one like they have half of his father’s book to movie productions. Also, something to look forward to is Hill’s upcoming novel, NOS4A2
If your interested in the works of Joe Hill and want to take a look at some of his other publications I suggest the following choices. It’s a start in the least, and a selection that I will hopefully get to rifle through soon. Enjoy!
If you have checked out Horns
Weird Review: For When the Veil Drops
Title: For When the Veil Drops
Publisher: West Pigeon Press
Style: Anthology
Number of Pages: 187
Format: Print (Paperback)
Rating: 4 Out of 5 Stars Aligned
West Pigeon Press is honored to present its newest anthology, a collection of resonant, unbridled dark fiction. Unburdened by genre and disparate in subject, these stories find common cause in their emphasis on mood, style, intelligence, and emotional depth. West Pigeon is proud to release these stories under its banner, and is proud to have you as a reader.
As unorthodox as it may be to admit this on a back copy, the less revealed about these stories – and the more left to the reader to discover – the better.
Once again the folks over at West Pigeon Press are out to strip you of your hopes and sanity with a brand new anthology. That’s right, those who released unto the world, J.R. Hamantaschen’s You Shall Never Know Security
Not all of the stories are great, and some definitely outshine others, but something that I will admit is every story at some point made me uneasy, or left me feeling freaked out. A couple on my favorites list include Doug Murano’s savage “The Chopping Block,” Michael Wehunt’s epically evil “A Coat that Fell,” BV Lawson’s revenge tale, “Beside Still Waters,” and Samuel Minier’s horrific holiday fable, “The Third List.” I was impressed with the opening story by Christian A. Larsen, “724,” which certainly puts the reader in the mood, and is just how a West Pigeon Press anthology should start, with a big “WTF!?” moment. And wrapping up the anthology is, “Still Life” by Michael Trudeau, with a poignant reminder that the horror is everyday life.
724, by Christian A. Larsen
The Chopping Block, by Doug Murano
The Persistence of Fondu, by Yarrow Paisley
Bless You, by C. Bryan Brown
A Coat That Fell, by Michael Wehunt
The City Underneath, by Robin Wyatt Dunn
Beside Still Waters, by BV Lawson
The Condition She’s In, by Nick Medina
St. Mollusks, by Paul L. Bates
Thicker Than, by Lydia Peever
The Third List, by Samuel Minier
Nothing Bad Has Ever Happened Here, by A. A. Garrison
Oh Abel, Oh Absalom, by J.R. Hamantaschen
Misery Don’t Wait on Me?, by Joshua Clark Orkin
Still Life, by Michael Trudeau
Over all it was a good read. Most of the stories aren’t too long, and some are written smoothly enough to carry you through. I suggest giving it a look if you’re having too many sunny days and you feel like life is great and nothing can go wrong. Because after you read this, you won’t feel the same.
“Does anyone really know the true cost of evil? Or to take it a step further, is the loss of innocence a cause or effect of darkness in the human soul.” – BV Lawson
If you have checked out For When the Veil Drops
People who enjoyed For When the Veil Drops
Weird Review: The Lovecraft Anthology: Volume 1 Edited By Dan Lockwood
Title: The Lovecraft Anthology: Volume 1
Editor: Dan Lockwood
Publisher: Self Made Hero (April 1, 2011/reprint April 15, 2012)
Number of Pages: 120
Format: Print(Paperback)
Rating: 4 Out of 5 Stars Aligned
“For what has risen may sink…” Out of the dark corners of the earth and the still darker imagination of Howard Phillips Lovecraft, renowned master of the eerie, come seven sinister tales of terror. From cosmic horrors gibbering in the night to uneasy stirrings in the boundless depths beneath the seas, Lovecraft’s stories have never lost their power to amaze and unnerve. This graphic anthology breathes new live into classic works of weird fiction. “…and what has sunk may rise again.”
When it comes to Lovecraftian based graphic novels/anthologies, though the writing takes a big role, it seems the whole package rises or sinks with the art. Lovecraft’s work was visceral. It created disturbing images that we had trouble correlating and left our minds troubled with confusion. Through his words he tried to show us other dimensions, and described creatures and forces outside any human comprehension. So, how does one exactly draw blasphemous fish-frogs of nameless design, or ink a color out of space?
The Lovecraft Anthology: Volume 1 is courageously edited by Dan Lockwood, and is penned and inked by some of arts greatest devotees to Lovecraft’s mythos. This volume contains seven adaptations by different writers and artists and is a great collection.
The Call of Cthulhu, written by Ian Edginton, Illustrated by D’Israeli: A great story to open this anthology, though I felt that it missed some of Lovecraft’s best moments. D’Israeli’s style isn’t my favorite, but his depiction of Cthulhu and the M.C. Escher-like R’lyeh were the best panels of this adaptation.
The Haunter of the Dark, written by Dan Lockwood, illustrated by Shane Ivan Oakley: Definitely not my favorite retelling in this anthology. The best panel was the conclusion
The Dunwich Horror, written by Rob Davis, illustrated by I.N.J. Culbard: I wasn’t much of a fan of I.N.J Culbard’s adaptation of At the Mountains of Madness, and I feel that his art is generally not very Lovecraftian. That being said, I was surprised at his attempt with this story. Along with great writing, Culbard’s vision left me wanting more.
The Colour Out of Space, written by David Hine, illustrated by Mark Stafford: This is one of Lovecraft’s greatest unnerving and unexplainable tales, making it one of the most difficult to visually adapt. Good news is Stafford does a valiant job with twisted images that carry this adaptation to the end.
The Shadow Over Innsmouth, written by Leah Moore & John Reppion, illustrated by Leigh Gallagher: At first I didn’t like this one, but the more I reviewed it the more I enjoyed Gallagher’s classic comic book style and hollow white eyes.
The Rats in the Walls, written by Dan Lockwood, illustrated by David Hartman: Were Lockwood’s writing fails, Hartman’s creepy/gory Disney-like illustrations did this tale justice.
Dagon, written by Dan Lockwood, illustrated by Alice Duke: Lockwood finally shines in this anthologies final adaptation. Accompanied by Duke’s lovely imagery, Lockwood triumphantly wraps up with one of Lovecraft’s most original stories.
Overall the artists are what make this book what is. Though I wasn’t fully impressed with all of Dan Lockwood’s adaptations, he still effectively edited an amazing looking graphic anthology. It is truly good to see how others view Lovecraft’s work, and fun to see how untraditional some folk’s visions are, I like that. I have already begun going through Volume 2, and am pretty impressed so far. I hope Self Made Hero continues to pump these volumes out. I have read/looked over Volume 1 many times and still can’t get enough of it.
People, who’ve enjoyed The Lovecraft Anthology: Volume 1, also enjoyed:
If you have read The Lovecraft Anthology: Volume 1, let me know what you think. And if you like all the tasty bits we gibber about here, become a follower or submit to receive email updates with every new post!
Weird Review: The Damned Highway: Fear and Loathing in Arkham, by Brian Keene and Nick Mamatas
Title: The Damned Highway: Fear and Loathing in Arkham
Authors: Brian Keene and Nick Mamatas
Publisher: Dark Horse Books
Number of Pages: 205
Rating: 3 Out of 5 Stars Aligned
January 1972. Resenting his unexpected fame and suffering from severe writer’s block, America’s premier “gonzo” journalist decides to reinvent himself. He creates a new persona–Uncle Lono– and hatches a scheme to return to his roots, reinvigorating his patriotism and his writing in the process. On a freaked-out journey to Arkham, Massachusetts, and the 1972 presidntial primary, evidence mounts that sinsiter forces are on the rise, led by the Cult of Cthulhu, and its most prominent member–Richard M. Nixon! Will the truth set Lono free or simply drive him insane?
Hunter S. Thompson and H.P. Lovecraft were two very influential writers from two very different times. Though they shared no commonality in the genre in which they wrote, the two authors always seemed to have a way of captivating my literary attention. Lovecraft, a writer of cosmic fear, never let us forget that we were an insignificant force in this universe. His writings in the early 1900’s helped to define the weird genre and opened up doors to aspiring writers of fiction. Thompson wrote to an already fearful generation that craved information, no matter how twisted it was, about the world at war and how insignificant the American dream and its people were to the white collared swine in charge… Namely Nixon.
Both wrote in times of war, and held correspondence with numerous folks. When standing back and seeing some of the silly similarities they share, along with some of the serious ones, I find it unusual that Lovecraft passed away March 15th, of 37′, and Thompson was born 4 months later on July 18th. Now I like to entertain the idea of reincarnation, mainly because the thought of continuing to another life intrigues me, so I always thought it would make for a smash-up story if somehow Thompson was the reincarnation of H.P. Lovecraft. Bad news is im too late.
Good news is Brian Keene and Nick Mamatas, another pair of great authors qualified for the job, have collaborated to create, The Damned Highway: Fear and Loathing in Arkham
Fans of both Lovecraft, and Thompson, it seems, are pretty picky when it comes to new additions to either Gonzo writing, or to the Cthulhu Mythos. Granted, Hunter S. Thompson fans are a little harsher to those breaking into the art, both sides seem to be fairly happy with what Keene and Mamatas have produced.
I have been reading both H.P.L and H.S.T for years, so I was no newbie to some of the references Keene and Mamatas successfully pulled off with a strange grace. The mastery of Thompson’s language. Perfectly sewn-together plot of Lovecraft’s Cthulhu Mythos into Thompson’s time during the 72′ election campaign. Interweaving truth like Senator Eagleton’s electroconvulsive therapy, and exposing how it was connected to an occult ceremony that had gone awry.
The story took a little bit to get jiving for me at first. The plot was always moving, but some of the begging of the book was slow and seemed a little heavy the usual Hunter S. Thompson references. But after trudging on I kind of felt that it was needed for those who might not be well read in Thompson’s work and his view on the world. Even still I would recommend reading some of both H.P. Lovecraft and Thompson’s work, or at least looking them up and reading about them and their life.
From dead peacocks, to fungi from Yuggoth. From Woody Creek Colorado, to Arkham and Innsmouth Massachusetts. This book fully satisfied that weird little hunger pain I get from time to time for Lovecraftian fiction. Especially Lovecraftian fiction that is seen and heard through the eyes and ears of Hunter S. Thompson.
In the end I recommend reading this one. If you’ve got a small bit of cash and some time to spare, I’d say sit down with this baby and learn how Nixon almost succeeded awaking Cthulhu and damning us all.
Next on the docket is Horns
Hitchers by Will McIntosh
Title: Hitchers
Author: Will McIntosh
Publisher: Night Shade Books
Number of Pages: 283
Format: Print(Hardcover)
Rating: 3 Out of 5 Stars Aligned
Finn Darby life isn’t perfect, but it’s fair. While enjoying the success of Toy Shop, a weekly comic strip he illustrates, he is still silently dealing with the simultaneous loss of his wife, Lorena, and Thomas Darby, Finn’s grandfather. Trying to move on, Finn began a new life starting by resurrecting his grandfather’s comic strip and adding new characters, and even began dating.
But that life gets quickly disrupted when a massive terrorist attack cripples Atlanta with an anthrax outbreak. All over again Finn is dealing with the loss of friends, when suddenly he begins to croak out uncontrolled words and phrases in the forgotten voice of his grandfather. Soon people learn that a new epidemic is arising from the grave, as people begin to become slowly possessed by dead but persistent souls.
Banding together with a new-found group of friends, Finn is in a race to figure out what the “hitchers” (as they call the possessors) want and why they’re here. But as time runs out his grandfather, Thomas Darby slowly begins to ruin his life, and take control of Finn’s body.
My first introduction to Will McIntosh was through The Drabblecast when they covered his story Fantasy Jumper and again when they did Followed. It was after Followed that I became interested in his style of writing, something that I believe could be something called “doomed emotion”. Meaning that at some point of the story the main character/characters revolve through a mixture of emotions but only through their “doomed” feeling, (in Followed this is portrayed when the main character realizes he will never shake the zombie child that stalks him) does the character find solace, or meaning to their troubles.
Hitchers
At first I was not amused by the comic strip portion of the novel, but as time went on I found myself enjoying them as something tangible from the story, and in the end I could almost imagine McIntosh drawing these.
Though the emotion of the characters is a big part of my liking the story, I did find it hard at times to believe that the grandfather could honestly be that much of an asshole as he was. Something else that bothered me was how every time Finn and his friends had to find someone, or something they usually happened upon the right spot right away. I suppose though, it’s better than them wandering through Atlanta looking for people, even with half a million people suddenly gone.
This is the second book from Will McIntosh his first being Soft Apocalypse
All in all Hitchers
Where’s My Shoggoth?
Before I brought Unspeakable Gibberer to its current home, I started it on BlogSpot.com and generated a post about a new wave of Lovecraftian fiction for children. I was reminded of this silly post by a recent email from Adam Bolton, co-author and artist behind “Where’s My Shoggoth”, due out this month. Kindly, he informed me of a competition he and fellow co-author Ian Thomas threw together to celebrate the “release/escape”, as he put it, of the book this June. For details on how to order/preorder check here.
Entry is free and welcome to all who dare to answer the question, “Where, exactly, is the shoggoth?” The best answer wins a canvas print of a double-page spread of your choice from the book “Where’s My Shoggoth?”, signed by Adam Bolton and Ian Thomas, and a signed copy of the book. And the runner-up also receives a signed copy of the book. Check it all out at http://wheresmyshoggoth.com/competition/
I am very excited about this book and hope to share it with my child someday. If this tasty morsel has stirred your appetite, then maybe you should check out these other mouldering text for the little cultist in your family:
Summoned up by renouned Lovecraft aficionado, Kenneth Hite
And don’t forget “Baby’s First Mythos
Unspeakable Gibberer 