Weird Review: Halloween Tales, Edited by Kate Jones
Title: Halloween Tales
Editor: Kate Jones
Publisher: Omnium Gatherum
Number of Pages: 230
Format: Print (Paperback)
Rating: 2 ½ out of 5 stars aligned
Some of the best pens of the Los Angeles chapter of the Horror Writers Association have been conjured by Omnium Gatherum to summon tales of fear and fancy for this Halloween season. 19 tales from literary horror veterans and newbies to the genre that together make a wonderful coffee table read for the season. As you can see by my rating I wasn’t too impressed with the contents of this book, however there are few pieces of sweet fiction in this candy sack that outshine the other sour suckers and kept me going through the collection in hopes of finding other good pieces at the bottom of the bag.
- Lisa Morton – The Devil Came to Mamie’s on Hallowe’en *
- Michael Paul Gonzalez – Worth the Having
- Hal Bodner – Donuts
- Terry M. West – The Hairy Ones *
- Janet Joyce Holden – The Deal
- John Palisan0 – Outlaws of Hill County
- David Winnick – The Cross I Bear *
- Kate Jonez – By the Book
- R. B. Payne – Ankou, King of the Dead
- Steven W. Booth – The Lurker *
- Maria Alexander – Harvest of Flames
- Eric Miller – The Patch
- E.S. Magill – Beneath It All
- Tim Chizmar – Farkleberry Forest Cemetery
- Robin Wyatt Dunn – Halloween in East Hampton
- R.B. Payne – Hollywood Ending
- P.S. Gifford – Johnny Jackson’s School Dare
- Xach Fromson – The Old Magic
- Nancy Holder – Dead Devil in the Freezer
Unfortunately there weren’t many of these stories that left me chilled or stunned. If not for stories like Terry M. West’s “The Hairy Ones“, and bits and pieces of Steven W. Booth’s “The Lurker” I would not have felt those feelings at all. However I must give full credit and appreciation to Lisa Morton’s “The Devil Came to Mamie’s on Hallowe’en” and David Winnick’s “The Cross I Bear. ” Those two tales were two amongst a few that were narrated or seen through the eyes of a child or early teen, and I found those stories to be the most interesting. The innocence in Mr. Winnick’s story really left me in aw, though some have said it was funny, to me it was honest and dark.
Though it’s not a book I would recommend to everyone, I would say it is a nice piece in a collection of stories to have on hand for this time of year. Al 19 tales are easily digestible, and short enough to read in one sitting. True, some are better than others, but that is how a well built anthology is, unfortunately I wish the stories were a little bit more balanced. By that I mean I felt all the greats were in the front of the book and not so much in the middle or tail end. Either way it was good to dive into some suitable fiction for the month and season and am glad to have been introduced to a few of these authors fiction. I will be keeping an eye out for them.
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Weird Review: The Lovecraft Anthology: Volume 2 Edited By Dan Lockwood
Title: The Lovecraft Anthology: Volume 2
Editor: Dan Lockwood
Publisher: Self Made Hero
Number of Pages: 128
Format: Print(Paperback)
Rating: 4.75 Out of 5 Stars Aligned
“That is not dead which can eternal lie…” Out of the uncharted places of the world and the prodigious imagination of Howard Phillips Lovecraft, renowned master of the eerie, come nine nightmarish tales of terror. From the dreaded remnants of long-dead civilisations to unhallowed monstrosities scheming in the darkness, Lovecraft’s stories have never lost their power to astound and unsettle. This graphic anthology breathes new life into classic works of weird fiction. “…and with strange aeons even death may die.”
Self Made Hero has done it again. like its predecessor, The Lovecraft Anthology: Volume 1, Dan Lockwood has ushered into this realm a beautifully illustrated hoard of horror. I am of coarse talking about The Lovecraft Anthology: Volume 2, incase you didn’t realize already.
Looking back on my review for The Lovecraft Anthology: Volume 1, I have reflected on some of my comments. To this day, I still visit the pages of volume 1, and have to disagree with some of those late comments. Though I still believe the illustrated panels are what make up an efficient comic/graphic novel, it is the words we rely on when our eyes get ahead of us and we need to read whats happening to interpret the image. After all, we’re readers not viewers of these works. That said, most of these works are illustrated so brilliantly that my eyes hardly touched a word. I am very familiar with Lovecraft’s work, and know a few of his tales like old songs. So for a lot of these addaptations I was fortunate enough to know what was happening and only needed the images to carry me through.
In the tradition of how I formatted the review for Volume 1, I have listed each adaptation and have a small something to say about each.
Pickman’s Model, adapted by Jamie Delano, illustrated by Steve Pugh, Staging by Jon Haward: Right out the gate Dan Lockwood enlists one of his best choices for this collection. Delano, Pugh, and Haward have worked magic into bringing this piece to life. Every panel, every phrase took me down into the cellar with Thurber and Pickman and had me filling in the blanks as to what damnable creations Pickman was responsible for. Great stuff!
The Temple, adapted by Chris Lackey, illustrated by Adrian Salmon: Everything about this entry is spot on. The hard shapes, thick lines, and heavy shading are appropriately placed for the era this story is set in. You can tell Lackey has a fondness for the tale and does what he can to capture the images meanings.
From Beyond, adapted by David Camus, illustrated by Nicolas Fructus: Another grandslam for this graphic collection. Great accompaniment by Camus, but anyone can tell, Nicolas Fructus gets what this story is about. Amazing fuscia/violet panels that has set my pineal gland a fire!
He, adapted by Dwight L. MacPherson, illustrated by Paul Peart Smith: I really dislike Lovecraft’s original story, however I believe MacPherson and Smith have done and excellent job with a crappy tale. The illustrations weren’t my favorite but I did enjoy the protagonist looking just like H.P.L.
The Hound, adapted by Chad Fifer, illustrated by Bryan Baugh: I feel this adaptation took on a bit of the Harley Warren/Randolph Carter archetype, St John being the dominant male figure. Baugh’s sepia skinned panels stand out from the other adaptations in this book, while Fifer adds a comedic style to the dread he portrays.
The Nameless City, adapted by Pat Mills, illustrated by Attila Futaki, Colored by Greg Guilhaumond: A clever recreation of a fundamental Lovecraft piece. The ending was unfamiliar, though it may have hinted to a possible “origins” tale of the Terrible Old Man…Maybe…
The Picture in the House, adapted by Benjamin Dickson, illustrated by Mick McMahon: To me the story is best told as a literary tale, maybe even a short film. Unfortunately the backwater dialogue is pretty hard to follow panel to panel, and McMahon’s illustrations did not captivate my attention.
The Festival, adapted by Simon Spurrier, illustrated by Matt Timson: This is my favorite adaptation in this collection. Changing up the format a little to more of a picture book quality, Spurrier and Timson have portrayed a horrifying experience that leaves the reader still wanting to visit Kingsport again and again. I only wish this was the closer in the collection.
The Statement of Randolph Carter, adapted by Dan Lockwood, illustrated by Warwick Johnson Cadwell: I don’t have much to say about this adaptation. Closing out the collection and with one of H.P. Lovecraft’s best known short works, I thought this would have been done better. Didn’t care for the illustrations, and the writing did little to keep me interested.
All in all, I would recommend this volume over the first. Both are a must if you are an H.P. Lovecraft fan, and just necessary to have to stimulate ones imagination. Again, Dan Lockwood has done an amazing job gathering these brilliant artists and writers to collaborate in creating such great work. This is what feeds the Lovcraftian community and what grows the population of new readers of the late mans legacy. As I said while closing my review for volume 1, I really hope that these volumes continue to be made. I know there are only so many short stories that one can adapt (We’ll leave the larger adaptaions to I.N.J. Culbard!) but maybe new artist can give their take on a tale and give us some new perspective. This review took me a pathetic one year to complete, and in a way I am happy it did. I read it in a white heat, immediately following The Lovecraft Anthology: Volume 1, and didn’t have the best opinions of the work. After a year of continuous viewing of volume 2 I have come to the conclusions you have already read. My thoughts on volume 1 have changed as well, however I must leave my initial thoughts on the piece as they are. Either way I hope you enjoy both volumes as I have and continue to do. Cheers.
People, who’ve enjoyed The Lovecraft Anthology: Volume 2
If you have checked out The Lovecraft Anthology: Volume 2
Weird Review: For When the Veil Drops
Title: For When the Veil Drops
Publisher: West Pigeon Press
Style: Anthology
Number of Pages: 187
Format: Print (Paperback)
Rating: 4 Out of 5 Stars Aligned
West Pigeon Press is honored to present its newest anthology, a collection of resonant, unbridled dark fiction. Unburdened by genre and disparate in subject, these stories find common cause in their emphasis on mood, style, intelligence, and emotional depth. West Pigeon is proud to release these stories under its banner, and is proud to have you as a reader.
As unorthodox as it may be to admit this on a back copy, the less revealed about these stories – and the more left to the reader to discover – the better.
Once again the folks over at West Pigeon Press are out to strip you of your hopes and sanity with a brand new anthology. That’s right, those who released unto the world, J.R. Hamantaschen’s You Shall Never Know Security
Not all of the stories are great, and some definitely outshine others, but something that I will admit is every story at some point made me uneasy, or left me feeling freaked out. A couple on my favorites list include Doug Murano’s savage “The Chopping Block,” Michael Wehunt’s epically evil “A Coat that Fell,” BV Lawson’s revenge tale, “Beside Still Waters,” and Samuel Minier’s horrific holiday fable, “The Third List.” I was impressed with the opening story by Christian A. Larsen, “724,” which certainly puts the reader in the mood, and is just how a West Pigeon Press anthology should start, with a big “WTF!?” moment. And wrapping up the anthology is, “Still Life” by Michael Trudeau, with a poignant reminder that the horror is everyday life.
724, by Christian A. Larsen
The Chopping Block, by Doug Murano
The Persistence of Fondu, by Yarrow Paisley
Bless You, by C. Bryan Brown
A Coat That Fell, by Michael Wehunt
The City Underneath, by Robin Wyatt Dunn
Beside Still Waters, by BV Lawson
The Condition She’s In, by Nick Medina
St. Mollusks, by Paul L. Bates
Thicker Than, by Lydia Peever
The Third List, by Samuel Minier
Nothing Bad Has Ever Happened Here, by A. A. Garrison
Oh Abel, Oh Absalom, by J.R. Hamantaschen
Misery Don’t Wait on Me?, by Joshua Clark Orkin
Still Life, by Michael Trudeau
Over all it was a good read. Most of the stories aren’t too long, and some are written smoothly enough to carry you through. I suggest giving it a look if you’re having too many sunny days and you feel like life is great and nothing can go wrong. Because after you read this, you won’t feel the same.
“Does anyone really know the true cost of evil? Or to take it a step further, is the loss of innocence a cause or effect of darkness in the human soul.” – BV Lawson
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Unspeakable Gibberer 